Across my practice, the wavering line functions as both image and meditative act; a way of thinking through rhythm, repetition, and time. Drawing, painting, and printmaking are used to trace larger systems of movement and pattern, including topographies, bodies of water, and elemental forces that shift between observation and memory. My current exhibition, The Sun Goes to Sleep in the Sea, follows the movement of light across water as it glitters, dissolves, and returns in changed forms. Through slow, layered processes, I trace fleeting transformations: the sparkle of sunlight on open water, the quiet depth of a rockpool, the soft drift of silver light at dusk. These works gesture toward abstraction as a way of holding perception and memory; how light both reveals and releases form, reframing the sea not as a fixed landscape but as an ever-shifting surface where the world is continuously reorganised through shimmer, rhythm, and quiet unfolding.